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Superstars

Bravo Clarence St Theatre Trust for collaborating again with director Kyle Chuen, musical director Victoria Trenwith and choreographer Leona Lenore Robinson. The soloists, orchestra, chorus and dancers lifted the roof off the auditorium during their opening night performance of the show aptly named “Superstars”.


The compilation show predominantly featured the music of Andrew Lloyd Webber. Songs from Sweeney Todd, Pippin and Brigadoon were included in the programme, but the music of the night was Lloyd Webbers. The audience was taken on a musical journey from tremendous full orchestral numbers to ethereal moments where it was possible to hear a pin drop.


The entry of children from Tamahere Model Country School and Tauwhare School was delightfully unexpected. The charming and encouraging interaction by Alex Pelham-Waerea and the four versatile dancers with the youngsters was wonderful, and any first night nerves the children had soon gave way to big smiles and enthusiastic participation.


Each of the soloists were superbly cast, and the various vocal pairings went from strength to strength. Kyle’s direction was clever and every part of the stage was utilised. The entrances and exits were seamless, and Victoria kept the show moving at the perfect pace. The chorus added depth and multi-part harmonies where and when required, and Leona’s choreography added to the overall visual spectacle.


However, the highlight of Superstars must certainly be the positioning of the 30-piece orchestra centre stage. Cellist Ros Oliver had a moment in the spotlight during Kirsty Young’s graceful and heartfelt rendition of “You Must Love Me”. Anne Mendrun’s oboe during “Close Every Door” was sublime, and Jeremy Trenwith’s deft bass playing was sensational. In fact, every one of the thirty musicians under Victoria’s baton deserves high praise for their brilliant musicality. Praise must also be given to Glen Ruske for his sophisticated sound design, and Michael Lamusse for his discerning lighting design.


The final crescendo of Julia Booth and Nick Wilkinson’s “Phantom of the Opera” duet followed by a powerful rendition of Les Miserables “One More Day” had the audience awestruck. The extended applause between songs must certainly have thrown out the anticipated running time of the show.


Congratulations to everyone involved from front of house, those on stage to the backstage crew. Superstars was obviously a team effort, and every cog in the wheel turned in wonderful formation. My only criticism is that the season isn’t longer. There are only four performances left, and I hope the audiences turn up in droves to support this super production at Clarence St Theatre.


Photo: Mark Hamilton

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